02.28.09

A slumdog winner, Oscars 2009

Posted in Excellente, Query tagged , , , at 8:08 pm by thatmovieguy

I love the Oscars.  Everytime.  And while I haven’t written about a movie in a long time, the Academy Awards Show is all I can focus on in the wake of last week.  oscars

I know that I’m jumping on the bandwagon here.  Everyone has been talking about Slumdog Millionaire for the last couple of months, and even when it was still a small, small film, even the little buzz that was around it was overwhelmingly positive.  Last Sunday it was recognized for its achievements.  But I want to look a little closer at that.  If you still have the Oscar ballot sitting around,  scan it over really fast, and let’s play a game.

slumdog_millionaire_new_picture

Find “Sound Editing.”  Not a big award, but it was the Dark-Knight-has-to-win-something award.  Well, beside Supporting Actor (a note on that…if you had a chance to get the line in Vegas, putting $1.00 on Ledger to win the Oscar would have netted you $.02.)  Anyhow,  check out all other categories that Slumdog was nominated for.  It nailed them all.  8 Oscars out of 9 categories is ridiculous.  We are talking Best Picture, Directing, Sound Editing, Film Editing, Original Score, Original Soundtrack,  Screenplay (adapted) and Cinematography.  That’s an impressive array right there.

Another impressive quality.  Can you give me the actor who played Jamal’s name?  Well, any of the actors who played Jamal?  How about Latika.  Probably not, atleast not before all the recent interviews and what not.  No acting or actressing nominations.  Bunch of nobodies, atleast in the American world of cinema.  I scrolled through a list of recent best pictures.  It was easy to name ATLEAST one “big name” from every movie in the last 15 years.  I finally got stumped on The Last Emperor (1987) , which I’ve never seen, but upon further investigation I discovered that Peter O’Toole was 3rd down on the casting.  I could go on, but its more fun to play the game for yourself.  In the 2000s, I tried to find films that were NOMINATED that caused me to pause when I thought who was in them.  Of that list, I came up with Good Night and Good Luck, Godsford Park, Letters from Iwo Jima, Seabiscuit, Crouching Tiger Hidden Dragon, and Chocolat.  And upon further review, with the exception of Crouching Tiger, I smacked myself in the head for missing many obvious answers.  Big names drive movies to stardom.  The obvious parallels in a movie about a no name, low-caste man having the chance to accomplish great things will make for a great Oscar legend in and of itself.

To continue to put this in perspective, this was a GREAT year for movies. I will argue with anyone that on most other years, all 5 Best Picture nominations could have put up a fight with any other film.  I actually haven’t seen The Reader, much like Hugh Jackman, but as the old proverb goes, Holocaust movies win.   But that aside for a moment, there are other movies that we’ren’t even nominated that I think in other years would have atleast been deservedly nominated.  While none of these were favorites from the year, Doubt, The Wrestler, Revolutionary Road, Gran Torino, and Dark Knight all could have or would have been contenders.  And movies like In Bruges and Wall*E, while not ever likely to bring home the big prizes, were stellar.  And I have said it many times, but I like repeating it, how in the world did Pixar make what was essentially a silent film in 21st century America and not only get us to watch it but love it?  Viva la cinema revolution!

As for the show itself, not the best or worst.  I did think that the “shake-up” was noticeable and welcome.  The montage of departed film creators was really weak this year I thought.  And the second dance number in particular seemed unnecessary, and if it had even been good it would have been too long.  And as my friend Heidi has said in talking about it with her, did anyone notice Chicago winning best picture a few years back, or Moulin Rouge! getting a nom the year before that?  The musical has been back, and Mamma Mia has performed nothing that its predecesors hadn’t  (total gross Mamma Mia $144,130,063, total gross Chicago $170,687,518, for example).  I think I’m just insulted that ABBA is getting credit for bringing the musical back, if you were to believe the Oscars.    My other major criticism…like the idea of bringing out former winners to announce actor and actress…but I feel like it loses its swagger when you bring people out for supporting actor and actress as well.  Well, not just the swagger, but by the time supporting actor rolled around, I wanted to care, but felt myself thinking “get on with it already” because it does take a while.

Orchestra being on the stage, I liked alot.  Not having to cut anyone off, I loved. The acceptance for Ledger’s award, tasteful and not overdone.  Good speeches.  Jack Black, Ben Stiller, and Philippe Petit (from Man on Wire) were priceless.  They need to make more documentaries like that, by the way.  We love crazy people.  We loved Grizzly Man for the same reason. Craziness. And therefore, endlessly fascinating and awe inspiring.  Random note, while it didn’t win and should have lost to Man on Wire as it did, don’t let Encounters slip by if you a fan of docs…it was don by Werner Herzog (the same guy who did the afore mentioned Grizzly Man, and who is a generally hardcore dude)

The viwer ratings may be low. The levels of smugness may be high.  But the Oscars continue to delight and entertain.  But most of the country seems to disagree with me.  But I digress, and need to go get in line to watch Iron Man a second time…

As always, questions and comments are welcomed and encouraged.

Jai Ho!

11.06.08

Remember Remeber the 5th of November

Posted in Excellente, Query tagged , , , , , at 12:12 am by thatmovieguy

Opening line and tag line to a darn fine movie, and thus an appropriate post for today.

I’m wearing my Guy Fawkes mask as I write this, I can only hope and presume you all did similarly.  But if not, let’s talk about Guy Fawkes day before getting into the actual review for V for Vendetta.

Guy Fawkes Day…what the heck IS it all about.  I don’t actually get it.  Well, I do to a certain extent.  But, as the character V properly does when introducing himself, Guy Fawkes himself seemed to be both “victim and villian.”  Maybe its just one of those weird customs, but for someone who was voted the #30 all time Briton seems to get quite the strange…honor?  It’s a large shame that he was just beaten out by David Bowie.  Then again, I could see the argument for David Bowie beating out Winston Churchill.

But nevermind that, I suppose.  We are here to talk about something that is far more homage to Guy Fawkes then.  As already stated, V (somehow given lots of feeling and amazing character through a mask by Hugo Weaving) does play both villian and victim.  Unlike most of our recent comic book heroes, we get all of our backstory throughout the movie, and when we are introdued to V out of the shadows his plots are already coming to fruition.  If I were back in my jr. high days of memorizing random bits of fun movie lines (I wonder if I can still do the iocane powder bit from Princess Bride?) I might have commited to memory the full introduction V gives to us the audience, as well as Evey.  But I degress, I feel better letting his quotes do the talking at the moment.

V: But on this most auspicious of nights, permit me then, in lieu of the more commonplace sobriquet, to suggest the character of this dramatis persona.
V: Voilà! In view, a humble vaudevillian veteran, cast vicariously as both victim and villain by the vicissitudes of Fate. This visage, no mere veneer of vanity, is a vestige of the vox populi, now vacant, vanished. However, this valorous visitation of a by-gone vexation, stands vivified and has vowed to vanquish these venal and virulent vermin van-guarding vice and vouchsafing the violently vicious and voracious violation of volition.
[carves V into poster on wall]
V: The only verdict is vengeance; a vendetta, held as a votive, not in vain, for the value and veracity of such shall one day vindicate the vigilant and the virtuous.
[giggles]
V: Verily, this vichyssoise of verbiage veers most verbose, so let me simply add that it’s my very good honor to meet you and you may call me V.

Now THAT’S an entrance.  Just who the hell is this guy?  What the hell have we gotten ourselves into?  Do we like him?  Is he insane?  What does he have against the world?  And what school did he go to?

Once again, we find out that the brothers Wachowski are able to create a dynamic movie, full of on the edge of your seat action and explosions, while creating a huge, deeper subtext.  Though I suppose I’m the only one who enjoyed a majority of the Matrix movies.  Hmmm…that might be a fun topic for another day.  But the messages here are fascinating.  There is a corrupt government in the eyes of V, and we are witness to his possible solutions.  What is fun is that, somewhat like the Matrix as well, we are thrown into the world only partly understanding what’s going on.  For this, it works.  It’s the distant future.  We don’t know exactly what happened, but we know Americans screwed up and I atleast have this image in my head of some sort of zombie freakshow going on.  They needed strong government to establish order.  And so it did.  But when you just step back and look at the movie…a battle between Fascism and Anarchism doesn’t seem like it should have a winner.  But what we do know is something’s gotta give.

The movie is dark, through and through because of that constant battle.  There will be casualties and sacrifices.  In a scene that, in a sense, should be hilarious (complete with Benny Hill theme) we are taken aback, too busy considering the ramifications of the satire we are witnessing.

While a minor character in many sense, the detective who bridges the investigation of V and gives us lots of the nifty backstory becomes a fabulous character.  He very much reminds me of Captain Renault from Casablanca.  Dead serious.  I think Inspector Finch, due to the nature of the role, ended up getting a bit more of a black/white consistancy in his development, but I like romantazing of their similarities.  There is something about these characters who know a bit more about what’s going on then they let know, and also get played a bit, manage to figure things out, and manage to wear their respective badges with honor.  I could be far more detailed, but why ruin a good plot? Lt. James Gordon (Batman) is another one, come to think of it.  There’s something about those minor characters that allow us to see the human compass as work that I find terribly fun.

Well, I know I haven’t posted in forever, and this has been a short one, but this is one of the times I wrote before re-watching the movie.  And I need to finish cleaning my place (which takes alot longer when you are wearing the Guy Fawkes mask).  So I leave you with random forshadowy trivia and…a spoiler-tastic clip.  Enjoy.

And your random fun fact…next time you watch V for Vendetta, or when you do for the first time, notice the graphic novel on the desk by Evey right after V’s broadcasted message.  Yep, The Watchman.  Atleast I’m pretty sure.

Also, I completly ignored it, mostly out of wanting unbiased answers. Natalie Portman…what did you think of her here?

10.02.08

Follow-up to Sideways

Posted in Query tagged , at 4:47 pm by thatmovieguy

So in thinking more about that last post…I started thinking all about road movies. And I tend to end up thinking about films in terms of High Fidelity…top 5 lists for a specialized category. So maybe its because I’m still thinking a lot about Sideways, maybe its because I love road movies, or maybe its because I’d just like to see one comment posted on this page…but I’m just wondering what you, the reader, have in your top 5 road movies of all time.

All types of road movies accepted, be it a journey that changes everything ala Motorcycle Diaries, or a vacation that that the way of National Lampoon Vacation. I could see deserving arguments for both. So please, if you do read this, share. And hopefully you’ll give me a few more movies to add to my Netflix queue (as though I need any more…)

I’d also like to pretend I choose the cover art from SFU S5 because that way it wouldn’t tip my hand as to my movies…but lets be real, I love that show and I love that image.

If this post didn’t satiate your need to read, here’s an interesting pre-Oscars article. Not too much about what’s in the running this year yet…moreso an oft heard complaint voiced well, about Oscar campaigning and its effects on the world of cinema. Check it out if you have the time.